

| < | July 2009 | |||||
|---|---|---|---|---|---|---|
| Sun | Mon | Tue | Wed | Thu | Fri | Sat |
| 1 | 2 | 3 | 4 | |||
| 5 | 6 | 7 | 8 | 9 | 10 | 11 |
| 12 | 13 | 14 | 15 | 16 | 17 | 18 |
| 19 | 20 | 21 | 22 | 23 | 24 | 25 |
| 26 | 27 | 28 | 29 | 30 | 31 | |
Follow my blog!
Subscribe in a reader
Subscribe by Email
Find me online!
On Facebook
On Flickr
On Trunkt
On Twitter
Share me online!
Share my blog on Facebook

| Etsy Buy Handmade RockStash |

www.flickr.com
|
My 1001 Day Project ends on Friday, October 1, 2010 in .
One of the questions I get a lot is how do I go about taking pictures for my jewelry. A while ago I wrote this reply that I felt was great to share with you. It also turns out that it fits the theme for this week’s EtsyBlogger’s Street Team topic, so let me get to it.
My camera equipment is very simple. I am currently using a mid-level camera, the Canon PowerShot A620. It’s an easy to use camera, but it has a decent macro feature. The only time it seems to have some trouble is when it’s photographing red items, but there are definitely workarounds to that.

My setup is very simple as well:
I’ve basically taken the Rubbermaid tub and put it on its side. (Any frosted white plastic container large enough to hold your items in will do.) Then, I wrapped the outside of the tub with the interfacing. (You can get this at any sewing store.) I then clipped the lamps to both sides and the top of the tub so that the lights shine through the interfacing and the tub. The interfacing and the frosted-ness of the tub help to diffuse some of the direct light that results in harsh shadows.
Inside the container, you will want to lay out you background paper so that it is covering the back and the bottom of the tub. One continuous piece of paper works best, however, you can use two connected pieces and then Photoshop the connection crease out of the paper in later processing.
That’s it! I leave this setup in my spare bedroom and then I can photograph at any time when the mood strikes, rain or shine!
I find that a tripod is an absolute must, especially if you have plans of taking close-ups of your product. A tripod keeps your image sharp and removes the possibility of fuzziness from shaking. I think tighter crops of an item are really nice additional shots that help sell a product. (One of the many things I will be adding to my website after I work on a redesign early next year.)
Most of the time I don’t do post processing on my photos, aside from resizing and cropping the shots. However, when I do have to work on them, I generally process levels and then leave it at that. You can make your photos pop with just a small adjustment to the levels. Here is a tutorial on adjusting levels in Photshop.
Aside from that, it’s just a matter of practice. Trying different things to find your photography voice is the only way you will end up with the results you want. That is, aside from hiring a professional photographer like TS Harrington (who, by the way, if you do throw in the towel, does some fantastic product photography with live models!)
>><<
Subscribe in reader |
Subscribe by Email | Share on Facebook
* * *
This is fabulous! Thanks so much for sharing! :)
My pleasure! I’m actually thinking about going with a different setup soon. Something more compact and collapsible. This way it doesn’t take up the space in my guest room when there are guests here. :)
I’ll have to research and see what I can come up with.
Thanks for sharing!